Why I Keep Experimenting with New Surfaces in My PracticeMirror Art
As an artist, staying curious is essential. Over the past few years, I’ve found myself increasingly drawn to experimenting with new surfaces, pushing beyond the traditional canvas or paper. This isn’t just about novelty — it’s a vital part of how I grow my practice, challenge my techniques, and stay deeply connected to the act of creating.
Reigniting Curiosity
When I first started making art, every material felt fresh and full of possibility. Over time, though, working on the same kinds of surfaces — however beautiful and familiar — can sometimes lead to repetition. I realized that to keep my work alive, I needed to reignite that sense of discovery. New surfaces introduce new problems to solve: how does this material absorb paint? How does it hold texture? How does it behave under a brush, a tufting gun, or a needle? Each surface demands a slightly different approach, making the act of creating feel immediate and exciting again.
Surface as Storytelling
For me, the surface is not just a passive background; it becomes part of the story. The texture, the resistance, the way colors interact with it — all these elements add layers of meaning to the final piece. Working on raw textiles, reclaimed wood, handmade paper, or even experimental materials like mesh or felt allows me to weave new dimensions into my work. Each surface brings its own history, weight, and tactile qualities, which in turn influence the emotional tone of the piece.
Evolving Techniques
Experimenting with surfaces forces technical evolution. Techniques that work beautifully on canvas might completely fail on wood or fabric. In response, I’ve had to adapt — modifying brushstrokes, layering differently, exploring new mediums like textile inks, or combining painting with textile processes like tufting and embroidery. These shifts have expanded my toolbox, making me a more flexible and responsive artist. They’ve also taught me a valuable lesson: that no method should ever become so comfortable that it stops challenging you.
Embracing the Unexpected
One of the most rewarding aspects of working with unfamiliar surfaces is the element of surprise. Sometimes a material will behave in ways I didn’t anticipate — paint bleeding into fabric, yarn interacting unexpectedly with backing materials, or surfaces warping under tension. Instead of fighting these moments, I’ve learned to embrace them. Often, it’s the accidents, the imperfections, and the unexpected textures that breathe life into a piece. They push me to relinquish some control and allow the work to grow more organically.
Staying True to Growth
Ultimately, experimenting with new surfaces is about honoring my commitment to growth. My practice isn’t just about producing finished pieces — it’s about exploration, learning, and taking risks. Each surface I try opens a new conversation between material, technique, and idea. And with each conversation, I find my voice as an artist evolving in ways I could never have predicted.
Mirror Panel Paintings
2025
30x30cm
Commission for larger piece available